Polyphony in Medieval Paris: The Art of Composing with Plainchant (Music in Context) by Catherine A. Bradley
Author:Catherine A. Bradley [Bradley, Catherine A.]
Language: eng
Format: epub
Publisher: Cambridge University Press
Published: 2018-07-30T21:00:00+00:00
1 For examples of recent scholarship that expound or subscribe to this chronology, see Mark Everist, French Motets in the Thirteenth Century: Music, Poetry, and Genre (Cambridge, 1994), pp. 66–71; Suzannah Clark, ‘“S’en dirai chançonete”: Hearing Text and Music in a Medieval Motet’, Plainsong and Medieval Music, 16 (2007), 31–59 (p. 46 n. 32); and Jennifer Saltzstein, The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry (Cambridge, 2013), pp. 15–16.
2 Yvonne Rokseth (ed.), Polyphonies du XIIIe siècle: Le manuscrit H196 de la faculté de médecine de Montpellier, 4 vols. (Paris, 1935–9), Vol. IV, pp. 70–1.
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